An NPC Persona—Prompts Inspired by Shane Schick

Perhaps my favorite parts of video games—and the memes they create—are the quotes from NPCs, but I’d never considered how much of an NPC I must be in others’ lives—particularly that of my daughter—until reading this poem by Shane Schick.

For the first prompt, write yourself as an NPC in the video game of another’s life. Write a poem as the inn keeper/healing potion provider/task provider for your children. Bonus credit if you include well-known video game tasks/quests.

For a second prompt, write a poem or essay explaining a familiar comic book or video game character or trope and connect it to your own life (e.g. final boss) as the poet did here.

For the last prompt, write a persona poem or a flash fiction story for a game’s NPC. Choose your favorite. Run wild with your NPC’s backstory and conflict.

And, yes, I like fan fiction. A lot of writers learned their craft writing fan fiction, and writers become writers because they were inspired by others.

Have fun writing an adventure even if that quest line is your own life or set in another’s. Always give credit.

Bonus prompt: write story using this setting.

Gold Light—Prompts Inspired by Donald Justice

Once again I am turning to poems shared on Twitter for prompts in spite of all the wonderful books of poetry I have at home (too lazy to take a picture, I guess). Btw, I enjoy following Jay Hulme who shares so many great poems.

I love the shift between each of the sections in “There is a gold light in certain old paintings.” For the first prompt, take a fragment from three of your older, unfinished poems that you never could make work and build a new poem. You might find it helpful to cut up these poems in separate stanzas. Mix and match these various stanzas to see what connects.

For the next prompt, experiment with repetition. Notice how each of the stanzas repeats the last word for the second and fourth lines and the ending couplets. Generally, I follow the rule of three I learned in Eric Morago’s workshop in which a word used twice is perhaps a mistake but three times is obviously deliberate and therefore a technique. It may help to create a word list. For a fascinating discussion on the form and the connections in this poem, read Mary Margaret Alvarado’s article in the Kenyon Review.

For the second prompt, make a list of loved ones you have lost and a second list of what you find beautiful. Write a poem using any items from the second list that spark with who you’ve lost from the first.

For a third prompt, write what Orpheus sang.

For the final prompt, write a poem or story that is drenched in gold, whether light or wealth, but let that color dominate the setting or theme.

Have fun writing!

Valentine’s Day is Coming—Collect Your Jars of Hearts Or Eat Them—Prompts Inspired by Rita Dove

Yes, the heart is a threadbare metaphor, an eye-rolling cliché, and a lump of muscle nothing like the shape of its namesake candy, but still there is a sweetness to be found as Rita Dove demonstrates in her “Heart to Heart.” As she says, “I decided to take these tired metaphors and deconstruct their camouflage, until all that remains is the true ‘heart’ of the matter: one human being, stripped of blather and artifice, speaking to the beloved.”

For the first prompt—or challenge rather—is to write about the heart and love in a way that likewise strips both down to genuine emotion. If it is easier, you too can list what the heart or love is not before redefining it in your own words and imagery.

The second prompt is to use that structure of listing what something is not before redefining it, but this time do so for envy. Gnaw on your own heart on the page.

For another prompt, write about love gone bad, broken hearts, betrayal, and bitterness. Get it all out of your system. Paragraphs if need be. Now take what you’ve written and do a blackout or erasure of it. Get rid of the adverbs, the explanations, and philosophizing. How much can you strip down to get to a single image that encapsulates all the pain you experienced?

For the final prompt—and shift to the weird—take the “Collecting your jar of hearts” line from Christina Perri’s “Jar of Hearts” song literally and write a poem or flash fiction. Let formaldehyde—or another preservative—keep your love forever.

Good luck! Good writing!

Writer’s Blocks and Bricks—Prompts Inspired by Linda Pastan

Writer’s block, dry periods, blank pages, and frustration—most of us experience this at one time or another. I love how visceral Linda Pastan makes this experience. I too often want to lie in the snowdrifts within my mind, the cold emptiness of the screen before me.

If you are struggling with this right now, do a freewrite by list five objects you saw today or are around you at this moment. Don’t overthink, just the first things that come to mind or that you see around you. Now describe objects, using all the senses if possible—the smell, feel, shape, color, species or brand if you can without stopping to research it (a plump, red squirrel, an oak tree, a Ford Pinto, Pillsbury Chocolate Chip Cookie Dough (safe-to-eat raw), etc. What is the squirrel doing? Did it see you? Is the cookie dough whispering to you, “Eat Me. I’m Safe”?

Now describe five things you remember from yesterday. Look for connections between the two lists and see if anything sparks. If so, explore that interest in either a poem or flash fiction. Perhaps you can take that description and use it for a fiction setting. If not, no worries, the point is to just get some space cleared up in your head. Often a block is from too many ideas to focus on one rather than none, as Brendan Constantine mentions in his workshops.

For just a writing exercise, take the poem and Mad Libs it. Change the nouns and verbs. If you want to change this into an actual prompt, take one of the sentences you’ve written (perhaps your modified version of “I want to lie down / in its whiteness”) and use it for a ghostline.

For a writing prompt, use the line “I want lie down in its / whiteness” as a ghostline. You don’t need to restrict yourself to exploring the same subject matter as the inspiration poem, but of course you can write on writing blocks too.

For the last prompt, remember back to a time when you felt either empty or locked. Create a place or object to encapsulate your experience, similar to the poem above. Try to avoid deserts unless you move deeper into that metaphor or have a different direction than expected. Go all in then: add mirages, some spitting camels, hopping jerboas, and vultures for a positive note. /s

Good luck! Have fun writing!

Prompts and Encouragement Inspired by Adedayo Agarau and Publication Resources

I want to share this poem because it is so beautiful and because the poet said it had been his most rejected piece. Since I am awaiting rejections from some out-of-reach publications, I need this encouragement myself.

For the first prompt, create your own footnote poem in which the title explains the lines’ reference(s). A religious book or the name of a myth or famous movie, book, or even character would all work.

The second prompt is to use the opening line “At what point does silence become surrender?” as a ghostline. Remember to erase the line and give credit to the poet.

For a third prompt, write a list poem on envy using the line “This is envy, this is my blood building a boat in your / raging voice” as either ghostline or title or epigraph. Do give credit regardless.

For the last prompt from this poem, write a poem using the following word list: “silence,” “whimper,” “storm,” “sacrifice,” “platform,” “knife,” “ram,” “voice,” “smeared,” and “speck.” Try to use the nouns in the poem as verbs and vice versa in yours.

Now for a change, rather than writing, let’s talk about where to submit poems. I ran across Angela T. Carr’s list of publication deadlines late so that many of the January submission periods have already closed, but there are still publications open until February.

If you have a full-length poetry collection ready, Emily Stoddard generously shared a list of 183 publishers, their deadlines (if set), and reading fees (if any) on her substack.

As always, I am grateful to the generosity of so many in the poetry community.

Bonus prompt: write an ekphrastic poem or short story based on this scene.

Good luck writing (and editing) and submitting!

Mad Hatterpillers—Prompts for Molting and New Growth

I realize I haven’t regularly been posting fiction prompts, so I will try to work on prompts that can be used either.

Since it is a new year, let’s take inspiration from the Uraba lugens caterpillar and build upon what we’ve done in the previous year(s).

For your first prompt, take a poem or short story of yours that you feel was successful and create a “sequel” if possible by starting with the last line of that poem.

Your second prompt is similar: take your favorite lines from four or five of your unfinished poems and Frankenstein a new poem as if you were creating a cento. Mix and match to see what works.

For fiction/creative nonfiction or poetry, write advice/life lessons and offer praise from a former self (or character’s self) to your (or a character’s) current self. If possible, create a Greek chorus trumpeting your achievements.

Another possible direction to explore is to imagine all of the past year’s achievements/sins budding off of you like extra heads or sprouting into limbs or vines. What would you carry with you; what would you let separate from yourself?

And, finally, create a character/persona that mixes human and other traits. Btw, I have no idea what is going on in this store window.

Good luck writing! Have fun!

Sonia Greenfield’s Recommended Reading List and Inspired Prompts

Had a migraine, so I am definitely not with it today. I do want to share the list of poems that Sonia Greenfield shared on Facebook though. I hope you enjoy the poems as much as I have. You can read her own poems on her website. Btw, Sonia’s book All Possible Histories is amazing, and she has a new book out, Helen of Troy is High AF, which sounds awesome. Links to purchase the books on also found on her website.

Your first prompt is to write a response to one of these poems. You can do so however you wish: use a line from one of them for an epigraph or a golden shovel, create a conversation to a poem, or take lines from several and write a cento.

Your second prompt, inspired by Sonia’s new book, is to write a short story or poem from the personal historical or mythological figure(s) who is “high AF”: what kinds of snacks do they reach for, what ex do they want to text or send an animal messenger to, what obsesses them at that moment (the play of light on a stream, flickering torch, the laces on their shoes)?

Bonus prompt: what the hell is my new kitty thinking? Trick question: nothing! Write from the perspective of the void (or of Onyx, aka Goofball).

Have fun!

Surgeries and Separations—A Rant with Prompts and Taxidermy (NSFW)

I am still working on the prompt I’d started, but I wanted to get something out for a prompt or at least start a discussion. You have probably often heard that we should “separate the artist from the art” by people who want to continue promoting the writing or other artwork by a racist shithead or a rapist or abuser of some kind.

My opinion: fuck that. Our lives inform the art we make, and art comes from more than just an individual but from a surrounding community. If someone abused/abuses other artists within a community, that person doesn’t deserve to be uplifted by that same community (or a larger one).

Obviously, this is a decision every person has to make individually, and each situation (and its context) differs. For me, I have less of a problem of sharing, teaching, and promoting the work of a dead writer who no longer materially benefits, but I also want to focus more on living artists. Of course, there are writers who do or have done terrible things to others that I am unaware of; I am not a part of elite literary circles and am generally an outsider for even the larger Southern California writing community. Promoting and buying the work of generous and supportive writers is my goal. I appreciate all the guidance and encouragement I have received.

So, yes, I am a judgmental ass, but you probably already figured that out. And, sorry, Dad, I know I promised to work on using the f-word and other profanity less often. One resolution already down.

Now on to the prompts!

For the first prompt, write a poem on how to remove yourself from your writing, a kind of reverse ars poetica if you will. How would you erase your perspective or voice? What particular techniques or style is your writing known for? Self-deprecation is welcome. Or have fun with boasting. Either way, enjoy yourself!

For the next prompt, describe a surgery on removing your writing from yourself. Is a particular poem in a section of your liver? Your gallbladder? Why does it need to be removed? Are all those embarrassing poems about your ex housed in your appendix and need to be cut out? Do you have sestinas in your tonsils? (I admire people who can write sestinas; mine suck, seriously.) Do all your unfinished drafts ache like an abscessed tooth?

So you may have heard of “poet voice.” How a poet reads their poems can annoy (or infuriate) others, and there are as many opinions on the right way to perform a poem or read poetry aloud as there are poets. If someone reading aloud differently than speaking conversationally annoys you, describe how “poet voice“ should be excised. Since my speaking voice sounds like a hyperactive chipmunk, I have tried (and mostly failed) to develop a deeper voice that can carry a room, so I am guilty of “poet voice.”

What voice or voices (or personas, if you prefer) do you carry within you? Are they past selves? Or do you carry a chorus of mentors/critics within you? Would you remove it/them if you could? If so, how could you remove them? Amputation? Lancing? Antibiotics or antifungals? Maggots to eat the rotting flesh? Describe the voice(s)/persona(s) and their removal in a poem or flash fiction.

Graphic photo below!

Over the weekend I went to the Oddities and Curiosities Expo: so much taxidermy and dead butterflies.

Would the removed poems/artistic inspiration/narrative voice(s) be stored wet?

In conjunction with the previous prompts, write an ekphrastic using the following (graphic) photo.

And for the final (weird) prompt: describe the diorama the surgeons would find if they searched inside you for your muses.

And, if you are wondering, why yes, I DO believe I have ADHD.

I hope this post hasn’t been too graphic or disturbing and that you have fun!

How to Say Goodbye—Prompts Inspired by InSight, the Mars Rover

With the holidays, I will likely be even more behind on prompts than usual. I will try to make this prompt the last sad one for the year. Try!

InSight, NASA’s Mars lander will soon lose power and go offline. Its last message is strangely heartbreaking. Here is the Guardian’s article on InSight and its mission on Mars.

For the first prompt, write your final goodbye in a poem.

For the next prompt, write a poem or short story from the perspective of a mission team member receiving Insight’s message or from one of its programmers.

Your next prompt is to write the final message from your coffeemaker, laptop, or appliance, or even your favorite sweater or chair. What kind of “life” did it have? Will it miss you?

For a final prompt, write your last moments from the perspective your household appliances, furniture, and decor.

Other People’s Prompts

Not feeling great tonight, so I am posting some prompts I saw on Twitter. I hope you all have a great night!

I tried to find the inspiration poem but could not. Larry Fagin (1937-2017) published twelve books. I am especially interested in his The List Poem: A Guide to Teaching & Writing Catalog Verse. And now I am contemplating my own mortality and lack of published books.

Anyhoo, here is another prompt that could work for a fiction or poetry.

Here is the article “The Mystery of the Blue Whale Songs” by Kristen French if you would like to read more. I found it fascinating as well as the sonic pollution hypotheses not found in French’s article but in a Twitter thread. I am going to miss Twitter.

And a bonus ekphrastic prompt:

(Be assured that we dumped this jar found in the back of the fridge out and refilled the hummingbird feeders with fresh sugar water).

Gotta love some colorful contamination!

Good luck writing!

Let’s Say—Prompts Inspired by Derrick Austin

Sorry for the delay this week. I will try to have another prompt tomorrow or if not, then by Tuesday. Tonight’s prompts are inspired by Derrick Austin’s “Little Epic.” I love the conversational tone paired with allusion and the grounding of abstractions.

For the first prompt, tell a summary of a well-known myth or fairy tale or TV series or even a horror franchise. Play with the story’s tropes and archetypes and use a similar conversational tone as “Little Epic.”

For the second prompt, use “Moonlight, stars, a good wind” as a ghostline. See where it takes you. Remember to delete the line and give credit to the poet.

The next prompt is more of a writing exercise. Create a series of lines in this format: “Who said [abstract noun] was a [sensory description of a place] / Who said it wasn’t a [different location/kind of place]. How many can you write? Do any of them spark a story?

For another exercise, begin with line of about destruction of a city or home or even a car or ship that has already occurred, place the survivor at that beginning of a journey but stop midway before safety is reached. Now switch from 3rd person to first person. What works for you?

Bonus prompt: Begin your journey here. What do you find around the bend?

Yikes, 6 Days into NaNoWriMo!

Hi all, I completely forgot about NaNoWriMo this year. Every November writers are challenged to write 50,000 words of a novel in any genre, and the NaNoWriMo organization provides events and platform to build a community and offer support.

Here is the faq to get you started.

I won’t be participating this year: I am focusing on poetry. I have managed the challenge in the past, and I’ll happily cheer you on.

Remember even if you are behind, you can try to catch up or just finish late. The goal is to create a daily writing habit and not let your internal editor stifle you. Good luck!

Image Courtesy of NaNoWri: Viking helm above a crest divided into quadrants (image of coffee cup in upper left, laptop in upper right, stack of pages in lower right, and crossed pens in lower left)

It’s Spooky Season Again!—Prompts

Tonight will be short prompts inspired by a neighbor’s yard: look at the following pictures and write a story or narrative poem describing what is happening here.

For the next prompt, write a persona poem for the vomiting skeleton.

Your final prompt is write a buddy story or a poem about friendship inspired by these two:

Good luck! Muahahahaha!

Emerge, Writer—A Prompt for the Equally Confused

Awards, grants, and publications are offered to emerging writers, but what do writers emerge from? Grammar lessons and emo music? Are writers hatched in MFA programs, transformed into soup before erupting out of cocoon and chrysalis, licked into form as bear cubs were once believed to be? Do writers emerge by writing themselves into the view of editors, judges, and publishers? Is it similar to a debutante’s introduction to society? Is there a secret curtsy?

How did you emerge as a writer? What is your origin story? What genre does it fit? Myth or rom com or horror? If a mystery, who died? Do you have a body and a villain in your creation story?

First of all though, have you emerged? When will you? What or who will tell you that you have? Is there a yardstick involved? Where do you go next?

Write a short story or poem answering any of these questions, or none. Make it up as you go.

Poetry Prompts from Profiles—More Twitter Blessings

So I fell in love with the quote below, so much that I immediately followed the person and asked if I could use it for a prompt, so here we go.

For the first prompt, use the phrase “new liver, same eagles” as a ghostline. You probably don’t need to use “After My Sweet Baboo Redux or After @babsben unless you really want to.

For the next prompt, take a popular myth or fairytale and rewrite it in modern language or a very specific vernacular and setting, different from the original. Imagine Artemis being caught skinny-dipping on the first day of deer hunting season in Indiana, or the Princess and the Pea retold by a British tabloid.

For the final prompt, create a story or poem that embodies the mood of “new liver, same eagles” or make your own phrase that sums up the last year or, realistically, 2016 until probably 2022.

Bonus prompt: write an ekphrastic for this photo.

What Is Left—Prompts

I found the photo and the accompanying explanation lovely.

Remember a time when you received a shock, a stunning grief, when the entire world seemed frozen or you, yourself, seemed to experience life behind a thick wall of glass or ice. Write about the yourself as if you were that apple frozen upon the tree. Describe being encased in ice, the numbness, the silence.

Or write about the slow thawing. What brought you back to the world, dropped you out of a frozen world.

Bonus prompt: write an ekphrastic poem using these images.

Origins—Prompts Inspired by Jenny George

What is the birthplace of forgiveness, the first breath of loneliness, the origin story of poverty? Write a poem or short story that describes the viscerally. For inspiration, read Jenny George’s “The Dream of Reason.” I’m grateful to Chelsea Dingham for posting it. Do credit Jenny George for your inspiration.

Bonus Prompt: Use the line “People will do anything” as a ghostline and create a list poem. For an added constraint, do not begin or end with an example of violence. Remember to give credit to erase the line and credit the poet.

Write a F-U-4Ever Poem to 2020–Let’s Break Up Hard With This F***-UP of a Year

Oh, 2020, you have been a colossal dumpsterfire. We aren’t just going to ghost you. No. We are going to burn your favorite jacket, mock your “O” face on TikTok, and chat up your younger sibling. We are going to do unto you what you deserve. I’ll bring the kerosene and you the shovel. If you’ve forgotten some of the truly bizarre and terrible events of the year, here’s a reminder of some of the weirder ones.

For the first prompt, write a breakup letter or a blackmail note to 2020, whichever is needed. Get it all out now. No holding back, no pulled punches, no “let’s be friends.” We aren’t getting back together with this year. Variation on the prompt: take a set of items that represent the year to you—the calendar, a ticket refund receipt, a picture of your empty couch, an expired restaurant coupon, a printout of a furlough notification, or other loss and cut, crumple and shred the items. Reassemble into a Frankenstein’s monster of a document and see if you can create a found poem from the text or ekphrastic from possible images.

For a bonus prompt, write a curse for the biggest bastard(s) of the year. Be petty—let every step taken be barefoot on a Lego—to truly vicious. Make it so.

You may need to write a series of poems about the last four years…

In the “I” of the Beholder—Prompts for Unreliable Narrators

When I first started writing, I often switched the “you” within the poem, or the “you” I was addressing was unclear. Now I am more concerned with the “I” in my poems. Not persona poems—that is a whole (or rather fragmented) other conversation—pun intended.

The “I” in my daily life is just as ambiguous: I continue to be an unreliable narrator, always learning that I again was wrong and then learning that my correction was an overreaction to the original error. Even caution can be an overcorrection, and second guessing a mental tic.

I never know when I am in the right or just am left guessing my way through the dark. The light keeps changing on me. So do my guesses.

For the first prompt, experiment with an unreliable narrator. Leave clues for the audience (and yourself) to discover but avoid the sudden epiphany, which is hard to pull off after its centuries of overuse. I will always love that lightning realization in Edith Wharton’s “Roman Fever” and Jane Austen’s Emma, but I am wary of the puppet master allure.

For the second prompt, write about a time in which all you had believed about an event was merely a lie you had told yourself or a another’s lie that you believed about yourself. How did you realize you were wrong? Did someone tell you? Why did you believe that person?

Or for a slight variation, take an old poem about an event in your life and look at it through your current viewpoint. What changes; what does not? And more intriguingly do you expect that you will change stance on this same event in the future, in the next 10 minutes?

For the last prompt, write a conversation between “the poet” and the “speaker” in one of your poems. How do “you” and how you present yourself as a poet juxtapose in the poem? Is the poem a scene or a landscape?

The Interior World and Navigation—Prompts Inspired by Oliver de la Paz

I’ve joined a writing workshop under Eric Morago, and it’s pushing me to expand my focus from individual poems to collections—their structure, motifs and themes. Unless a poetry collection is clearly arranged for a specific purpose, I usually skip around and ignore the placement of individual poems, which of course doesn’t help me prepare my own manuscript. I am truly enjoying this broader perspective in looking at poetry.

As part of the class, each of us was assigned to choose a collection and discuss its organization and themes as well as create a writing prompt. I chose Oliver de la Paz’s The Boy in the Labyrinth, a book I had longed for after reading his poem “Autism Screening Questionnaire—Speech and Language Delay.” The beauty of the poem’s answers to the harsh clinical questions stunned me the elusive quality of metaphor and imagery slipping the pinning of categories seemed akin to both parenting and writing—or any creation.

The book itself uses the structure of the Greek ode with its strophe, antistrophe and epode further divided into episodes of the introductory “Chorus” word problem or fill-in-the-blank poem and subsequent Labyrinth prose poems. The movement and structure dramatize the Greek myth of the Minotaur and the Labyrinth. The inclusion of word problems and the three “Autism Screening Questionnaire” poems build upon themselves layer by layer, adding the outside world into an ever deeper interior. Sometimes the prose poems begin on the image from the previous as if we too are following the red string. Fascinating.

The poet discusses the structure here in an interview:

I almost always think of individual poems with respect to the poems adjacent to them—how a particular poem activates or negates the work surrounding it. I think in motif and pattern, and I love making bigger connections both in my own writing and in the work of writers whom I enjoy, either in individual poetry collections or a life’s work.

For the prompt, I want to use one of the Labyrinth prose poems for inspiration :

For the first prompt, create an interior world peopled by outside objects and internal responses. Let the objects move and fly and the senses intermingle within this self-constructed world.

For the second prompt, write a poem using the line “Pain is a layer” as a ghostline. Again, remember to erase that line but still credit the poet.

For a third prompt, write a poem using the following words from the poem: “torch,” “bird,” “surface,” “form,” “layer,” “tip,” “rock,” “stripes,” and “shadows” but use them as verbs instead of nouns.

For the final prompt, use the “Autism Screening Questionnaire — Speech and Language Delay” as inspiration in how to translate the clinical or the mundane into the specific and personal.