“buttons on a shroud”—Prompts Inspired by R. T. Smith

It’s another Sunday in which I am racing to catch up and need another three days. I hope you are making the time to write and edit; I am not but perhaps will in a few weeks (I hope).

If you are on the Bluesky social media platform, I recommend following Simeon Berry for his own poetry and for the poems he shares by other poets. I really enjoy “Mushrooms” by R. T. Smith with its distinctive voice and descriptions. So many wonderful poets to discover!

For the first prompt, write about a regional food and its traditions. Think Midwestern funeral potatoes and hotdishes or Southern grits and collard greens. What foods are not eaten and why?

The second prompt is to write a poem or story using dialogue to contrast the experiences of differing social classes or cultures.

The third prompt is to write a poem, story or essay about cooking for someone, the joy of making someone’s favorite comfort food and seeing their pleasure.

The next prompt is, conversely, to write about refusing a food someone has prepared or offered to prepare, exploring the reason for the refusal and/or the awkwardness of the moment.

The last prompt is to write a poem or story using the following list of words: “chardonnay,” “nocturnal,” “coffins,” “crows,” “velvet,” “thrives,” “body,” “ditches,” “medicine,” “lather” and “shroud.”

Bonus prompt: write about what sprouts from death or whatever this photo of a mushroom inspires.

Good luck writing!

Still Here—Prompts Inspired by Cristin O’Keefe Aptowicz

A bit of a delay starting back to regular posting, but I started a new position. For the next two months I may be a little erratic with the schedule but will try to post once a week.

I don’t always post on Mother’s Day since not everyone has a supportive mom. Today though I can feel how little time I have left with my own after our phone conversation, and this poem reminds me so much of her, how she apologizes for no reason and how hard she is on herself.

I hope you have people in your life who provide you love, encouragement and understanding.

For the first prompt, incorporate a casual conversation within the poem or story. Try to repeat some of the statements for deeper meaning.

The second prompt is to write about a trip with a loved one. Let the focus be on your relationship and interaction rather than the trip itself.

The third prompt is to use line breaks to play with readers’ understanding as the poet does with “I’m happy but Mom / can’t believe that / she forgot to bring the conditioner.” The stanza break increases that shift in meaning.

For the last prompt, write a poem or short story using the following word list from the poem: “apologizes,” “rush,” “late,” “knocks,” “shouts,” “time,” “morning,” “easy,” “leans” and “still.”

Bonus prompt: write a story or poem about you and a loved one having all the time you need together.

Good luck writing!

Celebration!!!

Last prompt of the month is here! Write a poem celebrating making it to the end of the challenge, regardless of how many poems you wrote. Or write about anything you are proud you accomplished. This is your gold-star-on-your-paper moment. Celebrate yourself! Enjoy!

I hope you had fun! Good luck!

Golden—Prompts Inspired by Anila Quayyum Agha

Tonight let’s do something a little different. Rather than posting a poem for inspiration, I would like to share visual art that brought me joy. Years ago, I got to see the art installation “All the Flowers Are for Me” by Anila Quayyum Agha at the Peabody Essex Museum, and I was enthralled.

Here is the link to experience a short video of the installation: https://www.pem.org/exhibitions/anila-quayyum-agha-all-the-flowers-are-for-me. If you would like to read an interview with artist about a previous installation, check out this link: https://www.pem.org/blog/seeing-the-world-in-a-new-light.

For the first prompt, write whatever the photo or video of this installation inspires.

The second prompt is to write a poem about whatever art enlivens you—a painting, photo, song, movie, whatever form.

The third prompt is to read the interview (link posted above) and write an ars poetica poem, a poem about your writing, poetry and its purpose. If you want to learn more about the form and read examples, you can learn more at the website of the Academy of American Poets: https://poets.org/glossary/ars-poetica.

Good luck writing.

“We Turn Together”—Prompts Inspired by Ellen Bass

Here is another beautiful love poem. Ellen Bass is a treasure.

For the first prompt, write a love poem using the imagery of animal mates.

The second prompt is to use the line “we come to this. I bind myself to you,” as a ghostline. Remember to erase the line after you’ve drafted your poem and credit the poet in an after statement or in your title.

The third prompt is to write about the experience of sleeping with your partner or a former lover, not the sex but sleeping together in the same bed. Horror stories are equally welcome here as love poems.

The last prompt is to write a poem using the following list of words: “floundered,” “separate,” “bind,” “wrapped,” “current,” “steal,” “sleep,” “together,” “rocked,” and “pebbles.”

Bonus prompt: Here is Pebbles sleeping on a lap. Write a poem about cuddling with a pet.

Good luck writing!

“What is Not”—Prompts Inspired by Malia Maxwell

“In the not-not-woods” is a poem that rewards multiple readings. I hope you like it as much as I did. If you want to listen to the poet read it aloud, click on this link: https://poets.org/poem/not-not-woods.

For the first prompt, write about moving to a new place and missing the landscape you left, what plants or terrain would you look for and not find. I found the flat, cloudless skies in Texas hard to enjoy at first, although I fell in love with the wildlife and rugged landscape. I still miss its spring bluebonnets and the rocky ledges.

The second prompt is to describe the areas lacking public access. I was surprised by how much of the coast is closed off in areas.

The third prompt is to embed the memories of a loved one within descriptions of the land. What lessons can you remember; can you still hear their voice?

For the next prompt, write a poem using the following list of words from the poem: “gnaws,” “deflated,” “scab,” “fault,” “frothy,” “poison,” ”plumes,” “apologies,” “hemlocks,” “cedars,” “shake” and “wailing.”

The last prompt is to predict what your home will look like in a hundred years. Who and what will remain?

Bonus prompt: write whatever comes to mind with this autumn sunset.

Good luck!

A Missed Launch—Prompts Inspired by Tracey Knapp

I appreciate the bleak humor of this poem. The “launch it like a football” made me laugh. I have a feeling the upcoming funerals and my own will also involve farce. The number of car fires, unintended crimes, unexpected consequences of hubris and sheer bad luck of my family would make a failed sitcom for its improbability.

To read about what inspired this poem and hear the poet read “To the Sea” aloud, click on the link: https://poets.org/poem/sea-3.

For the first prompt, write of a funeral or wake or your first brush with death after the initial shock and grief has subsided. Most of the funerals for my elderly family members have included laughter and storytelling, an appreciation of their long life and influence. This celebration of course is impossible for younger loved ones lost unexpectedly.

The second prompt is to write a narrative poem about a wedding or planned event that went all wrong (like my first wedding).

The third is to write a poem for all the tasks you aren’t (or weren’t) dressed for.

For the last prompt, write a poem using the following wordlist: “heft,” “wheel,” “launch,” “tide,” “kneeling,” “chest,” “docks,” “descend,” “bubbles” and “emerging.”

Bonus prompt: write about the endless crashing of waves, enduring and coming home.

Good luck!

Multiplying Gravities—Prompts Inspired by Maya C. Popa

Five more days to go! I hope you are keeping up (better than I am)!

I thoroughly enjoy the imagery and craft here. If you like the poem too, check out Maya C. Popa’s books and classes: https://www.mayacpopa.com. So many books to add to the towering stacks.

For the first prompt, define what a love poem is within your poem, relying on metaphor (or multiple) to explain.

For the second, build the poem around the extended metaphor of the poem as a room, inviting the reader in.

The third is to use the line “Look how we’ve made” a ghostline, erasing the line after you’ve drafted the poem and crediting the poet.

The last is to write a poem using the following list of words: “window,” “remainder,” “whale,” “affection,” “patient,” “dissolving,” “convention,” “gravities,” “blink,” “gallery “and “likeness.”

Bonus prompt: write a poem about entering this reflected world.

Good luck!

“Even when it breaks”—Prompts Inspired by Kelly Grace Thomas

If you ever have a chance to join a workshop led by Kelly Grace Thomas or hear her read, I recommend you do. She is inspiring and encouraging. I love the simplicity and poignancy of her “Soft Discipline.”

For the first prompt, make a list of achievements and kindnesses and a second one of horrors and tragedies. Look at the two lists for resonance between items and build a poem from those.

The second prompt is to the last line, “Even when it breaks” as a ghostline, remembering to erase the line after drafting the poem and crediting the poet.

The third prompt is to write a poem using the following wordlist: “days,” “miracle,” “bullet,” “salted,” “born,” discipline,” “even,” “breaks” and “heart.”

For the last, write a response to this poem, addressing the poet in the title.

Bonus prompt: write about a redwood forest or whatever this photo inspires.

Good luck!

World Book Day—Prompts Inspired by Patricia Hooper

So today is another holiday, World Book Day, celebrating books and reading. I think Patricia Hooper’s poem “The World Book” is perfect for it. I love how the poem references volume “S” of the encyclopedia set (yes, the pun was intentional), expanding from the subjects inside its pages to the narrator noticing the objects around her. For me, reading opened doorways into new worlds, ones far from my small town, but also led me back to better understand that place and people.

If you want to hear Patricia Hooper read “The World Book” aloud, click on the link: https://poets.org/poem/world-book.

For the first prompt, choose a letter and build a poem around words beginning with that letter. For a really difficult challenge, write a poem about losing a letter and gradually omit the letter and additional ones.

The second prompt is to take a volume from the encyclopedia and flip to a random page. The first word you notice will be your subject. See what happens.

For the third prompt, use the lines “the woman get owned them skipped / to the solar system and said” as your first lines. You can choose to erase them after finishing your poem or keep them in, italicized or within quotation marks. Either way, remember to credit the poet for your inspiration.

The last prompt is to build a poem using the following wordlist: “volume,” “leafing,” “ships,” “skipped,” “saucers,” “diagram,” “miles,” “leave,” “swirling,” “world” and “secrets.”

Bonus prompt: what question does the bookstore’s feline guardian ask and what answer do you give to gain admittance?

Good luck writing!

Delayed Earth Day Prompts

Sorry for the delay. I wasn’t feeling well last night.

I chose this poem not just for Earth Day but also for its collaboration. I love the connections and responses of each piece. I would like to join on more projects with other writers and artists. If you would like to hear the poets read their pieces, click on the link: https://poets.org/poem/earth-day-collaborative-poem.

The first prompt is to write your own response, perhaps repeating one of the lines from the individual sections as entry point.

For the second prompt, use the line “until we learn to doubt its existence” as a ghostline. Remember to erase the line after drafting your poem and give credit to the poet.

The third prompt is to write about the changes you’ve noticed. Perhaps you no longer see fireflies as you once did or you notice summer comes sooner and lasts longer, that droughts are more common or storms are stronger and more frequent.

The next prompt is to write a poem using the following list of words: “frenzied,” “congregation,” “confetti,” “entwined,” “tipping,” “severed,” “drifting,” “tempered,” “excess,” “spiral,” “monstrous,” “husk” and “rising.”

The last prompt is to collaborate with another poet this month.

Bonus prompt: write a poem to (or from) this dolphin.

Good luck writing!

Whorl—Prompts Inspired by Rosalie Moffett

So much movement in Rosalie Moffett’s “Happy.” I need to read more of her writing. Today was a day in which I did not write; my head was stagnated, so I appreciate this poem’s motion even more.

For the first prompt, write a poem in which movement is predominant.

For the second, write about an interaction between two species even if one is unaware of the other, such as a cat watching birds outside the window.

The third prompt is write about technology and the natural world. How does one try to control or manage the other?

For the last, write a poem using the following list of words from the poem: “stops,” “fence,” “switch,” “crawl,” “barrier,” “foreseen,” “relief,” “whorl,” “disappear,” “prayer” and “scatters.”

Bonus prompt: write about what is happening here or whatever this photo inspires.

Good luck writing!

Abecedarian of Joys—Prompts Inspired by Arielle Hebert

I hope your Sunday is a good one. Perhaps you are trying to catch up on poems as I am. May this poem, its lovely catalog of joys, its generous spirit and its use of the abecedarian form all inspire you to cherish the day.

If you would like to hear the poet read Our Book of Delights aloud, click this link: https://poets.org/poem/our-book-delights.

For the first prompt, write an abecedarian of your own, a form in which the first letter of each line is in alphabetical order. If you would like the form’s history and more examples from the Academy of American Poets, here is the link: https://poets.org/glossary/abecedarian.

The second prompt is to write a poem starting with the line “Open the door. No one can” and completing the statement with your own verb. Remember to italicize the line or place it within quotation marks, crediting the poet in an after statement or in your title.

The third prompt is to describe spring in your area—the weather, wildlife and vegetation—as lushly as you can. Overindulge yourself; be lavish in your praise and excessive in your delight.

The fourth is to begin a poem or stanza with a barefoot child, that memory or image, and see where it takes you.

The next is of course the inevitable wordlist: “drizzle,” “tropical,” “palms,” “sugar,” “hand-picked,” “braiding,” “wine,” “surprise,” “match,” “bread,” “enough,” “door,” “zigzagging” and “coming.”

For the last prompt, read the poem aloud (or listen to the poet reading her poem) and write down the words that most resonate for you. That list will be your own from which to build a poem.

Bonus prompt: write about running water, moss and ferns or whatever comes to mind from this photo.

Birdsong—Prompts Inspired by Gary Young

The cats and I are enjoying all the birds visiting to eat our birdseed: cardinals, blue jays, mourning doves, red-winged blackbirds, sparrows and sometimes even an Eastern bluebird.

For the first prompt, describe the animal sounds outside your home. What birds wake you up? Do you hear cicadas or tree frogs? The screeching of neighborhood cats or dogs howling at a train? If you want, add traffic noise and sirens? Divide the day and night by these sounds, ending with an image/simile of the animal.

The second prompt is a writing exercise: rewrite the poem changing only the nouns, replacing the birds with the sounds of city life. See what happens. If you like a particular line, make that a ghostline and go from there.

The third prompt is to use the last line, “played on a flute carved from bone,” as a ghostline. Remember to erase the line after you finish drafting a poem and credit the poet.

The last prompt is (of course) write a poem from the following wordlist: “dawn,” “scold,” “feeder,” “screeching,” “course,” “canyon,” “break,” “mourning,” “breathy,” “echoes,” and “bone.”

Bonus prompt: write from the perspective of this cardinal, who is waiting for more birdseed.

Good luck writing.

Absence—Prompts Inspired by Richard Siken

Today I got to hear great poems and discussions about archival processes and hybrid collaborations. My head is too full to untangle, so I apologize if this post is even more disorganized than usual.

Richard Siken’s poem embodies the feeling I had as the tagalong little cousin, the youngest, at reunions, all the others so much older and bigger and more important. I often played by myself somewhere out of the way, lost in my head, in the clouds, invisible.

For the first prompt, choose a line from a move and let it become a powerful metaphor as the poet did with the quote from The Matrix. I like that the narrator says his stepbrothers wouldn’t take him to the movies but later quotes a movie he’d seen to describe himself.

For the second prompt, juxtapose a series of opposites as the poem does, “hypotheticals” and “real,” “capacity” and “nothing” and “full” and “empty.

The third prompt is to use the poem’s question “What did I know that no one else knew?” as a ghostline. Remember to erase the line after drafting your poem and credit the poet with an after statement or in the title.

The last prompt is to build a poem using the following list of words: “blades,” “pressing,” “tools,” “solid,” “bounce,” ”absence,” “hands,” “shapes,” “blurry,” “capacity” and “invisible.”

Bonus prompt: write whatever this photo of the sky inspires.

Good luck!

Greening—Prompts Inspired by Ada Limón

There was good news in the world today, but it has been a hectic week, and I needed this poem. I hope reading it helps you too. If you want to listen to the poet read it aloud, click on the link: https://poets.org/poem/instructions-not-giving.

For the first prompt, write what spring (and hope) means to you.

The second prompt is to write about what you see outside your window or on your way to work: what ordinary thing—the neighbor’s tree, perhaps the trilling bird calls, or the purple house you pass by—brightens your morning or welcomes on your way home.

I love the descriptions: “cotton candy-colored,” “taffy” and “confetti.” While I enjoy the narrator’s admiration for the steady green leaves, let’s celebrate the gaudy. Describe a world of sweets and carnivals.

The next is to write a poem using the following list of words: “funnels,” “limbs,” “slate,” “taffy,” “trinkets,” “confetti,” “plodding,” “skin,” “slick” and “palm.”

For the last prompt, use the partial line “When all the shock of white” as a ghostline. Remember to erase the line after you’ve drafted the poem and credit the poet in your title or in an after statement.

Yes, I know I should post a photo of a tree in all its green glory, but this bottlebrush is the one I see outside kitchen window. This is the tree that welcomed us into this home and entertains us and the cats with the birds it provides a landing, the same tree we thought lost to the harsh winter and had to cut down to almost the ground. It is back and beautiful. The shadow is mine, as I admire its healthy blooms.

So for the bonus prompt, write about coming back from the cold in glorious fashion.

Good luck!

Revived—Prompts Inspired by Jesse Arlen

I am fascinated by multilingual poets, their ability to create layered meaning in multiple languages, how one language can set the frame for another and all the choices required in translating from one language to another. My friends who write bilingual poems convey meaning and emotion even if readers do not speak both languages.

If you wish to learn more about the poem’s languages, including the Egyptian hieroglyph, and hear Jesse Arlen read it aloud, you can click on this link: https://poets.org/poem/tree-1.

For the first prompt, write a poem in your first language and provide an English translation or vice versa.

The second prompt is to write how you would discover or recreate your history, that of your people, your family or your individual self. Where would you search, what items you use and whose testimonies would you gather? 

The third prompt is to write a poem using the following list of words: "bearer," "extinct," "parchment," "secret," "potion," "herbs," "elixir," "barren" and "revived."

The last prompt is to write a one-sentence poem, broken up into stanzas, that represents an essential goal of your life. 

As always, these prompts can be used for short stories and essays. 

Bonus, prompt, write about these mushrooms that appeared the next day after a rain. One seems to be wearing another mushroom as a hat.

Good luck writing.

“A Break from Dread”—Prompts Inspired by Suzanne Cleary

I had forgotten how much I enjoyed receiving a great poem emailed to me through poem-a-day and discovering new poets to enjoy. Today, as the poem's narrator states, I do "need a break from dread."  I admire how even though the poem begins by telling us no one was hurt, I still didn't expect the precise details or the clear visualization of the dog at the poem's ending.

Click on the link to hear the poet read “Mercury”: https://poets.org/poem/mercury.

For the first prompt, write a narrative poem that begins by telling the story's end (that no one was hurt or that someone was or that someone died). Focus on the building of details to bring about a satisfactory conclusion. 

The second prompt is to use the line “no one seems to be at the wheel” for a ghostline. Remember to erase the line after drafting the poem and credit the poet perhaps in an after statement or the title.

A third prompt is to write a poem entitled “Mercury” that incorporates the car model, the metal and the planet. Bonus points if you include the fact that mercury, the only metal liquid at room temperature, tarnishes in humidity.

For the last, write a poem using the following list of words: “buttons,” “brake,” “mercury,” “speed,” “leveled,” “break,” “wheel,” “circles,” “circuitry” and “living.”

Bonus prompt: write whatever this photo inspires.

Good luck writing.

The Future Beyond Imagining—Prompts Inspired by Jane Hirshfield

As you may know, I am a huge fan of Jane Hirshfield. I admire how in her “I speak with the future” she can include eons and the present day all the while looking at a future far beyond our understanding.

If you would like to hear her read “I speak with the future, click on the link: https://poets.org/poem/i-speak-future.

It may be helpful to know Merriam-Webster's definition of “kalpa” is "a duration of time in Hinduism covering a complete cosmic cycle from the origination to the destruction of a world system."

For the first prompt, use the line "We speak of beauty by moving our jaws and teeth" as a ghostline, erasing the line after writing the poem and crediting the poet in an after statement or in your title. 

The second prompt is to create two places within your poem: a safe inner place and an outer one full of the world's tragedies and harms. 

The third is to write a poem, imagining the world reborn after ours is destroyed. 

For the next, look at Piranesi's “The Staircase with Trophies,” from his series Le Carceri d’Invenzione (The Imaginary Prisons) for inspiration: https://www.nypl.org/events/exhibitions/galleries/visual-world/item/5541

For the final prompt, create a poem from the following list of words: "bones," "teeth," "walled," "staircase," "hummingbird," "world," "nectar," "uneclipsed," "passing," "portions" and "imagine."

Bonus prompt: what made the birds rise and describe their movements and sound.

Good luck writing!

Wolves—Prompts Inspired by Marissa Lingen

Uncanny Magazine is a great publication. Marissa Lingen’s “The Truth About Wolves” is a wonderful example of what they publish. Here is the link to her poem: https://www.uncannymagazine.com/article/the-truth-about-wolves/

I love the idea behind “The Truth About Wolves” and its implementation—how the poem moves from two wolves to a pack to forest and stream to the very moon. Again, I appreciate a poem that breaks the taboo of writing about the moon (or the prohibition once said by one person that seems to get passed around to all writers), and this poem does so decisively. Personally, I need a whole pack and likely the moon to keep me going this week.

For the first prompt, take a familiar allegory or parable and adapt it. Perhaps the fox who couldn’t reach the grapes, calling them sour, does reach them and discovers them to be fermented. Perhaps your scorpion chooses not to sting the frog; it can change.

The second prompt is to use the first line, “They will tell you lies about wolves,” to create a list poem of lies and fables about the animals and their behavior. You can include the now-debunked theory of an alpha wolf.

The third prompt is to address loved one(s) and create a mythology of them for them.

For the last, create a poem—not about wolves—from the following word list: “contain,” “feed,” “full,” “whole,” “tumbling,” “nurturing,” “entrails,” “blood,” “forest” and “stream.”

Again these prompts are focused on poetry but can be used for stories or essays.

Bonus prompt: write about what famous—cartoon or otherwise—wolves are inside you.

Bonus bonus prompt: write whatever this woodcut inspires.

Good luck writing.