Beginnings and Endings—Editing and Writing Prompts Inspired by Ruth Awad
Good editors can show you new directions that you cannot see while in the middle of your poem, but you can use the same strategies for your own editing process. I have been told that some of my poems seem written to get to that last line or image. If you have received the same comment—or if an existing poem simply doesn’t work—take the last line, move it to the beginning, and edit from there.
For the first writing prompt, take either the first line—“And the lie is that I survived because parts of me / didn’t”—or the last line—“None of us got what we deserved”—as a ghostline. Remember to erase the line and give credit to the poet.
For the next prompt, make a list of sorrows that you, or others, have carried. Be specific. Are you still carrying them? How did you release them? What now?
For the third writing prompt, write a poem using the following word list: “lie,” “take,” “mirrors,” “look,” “listen,” “light,” “lost,” “worry,” and “remind.” Try to switch the verbs to nouns and vice versa where possible.
For the last editing prompt, take a poem you’re unhappy with and change the verbs to their antonyms. What happens?